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		<title>Distortion Is Awesome: Part II</title>
		<link>http://www.halfstepup.com/articles/distortion-is-awesome-part-ii</link>
		<comments>http://www.halfstepup.com/articles/distortion-is-awesome-part-ii#comments</comments>
		<pubDate>Thu, 17 Sep 2009 09:10:13 +0000</pubDate>
		<dc:creator>Kristian H</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Gear & Equipment]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[gain]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[overdrive]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=512</guid>
		<description><![CDATA[More distortion knowledge chunks from resident amp-turn-up-too-loud-er Kristian H. Read if you want to rock.]]></description>
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		<title>Distortion Is Awesome: Part I</title>
		<link>http://www.halfstepup.com/articles/distortion-is-awesome-part-i</link>
		<comments>http://www.halfstepup.com/articles/distortion-is-awesome-part-i#comments</comments>
		<pubDate>Wed, 09 Sep 2009 22:30:21 +0000</pubDate>
		<dc:creator>Kristian H</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Gear & Equipment]]></category>
		<category><![CDATA[amp]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[gain]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[overdrive]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=478</guid>
		<description><![CDATA[Kristian H gets his science on and explains Distortion... that love-able guitar sound that's ruined parent-offspring relations since the 1950s.]]></description>
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		<title>All About The Symmetrical Augmented Scale</title>
		<link>http://www.halfstepup.com/articles/all-about-the-symmetrical-augmented-scale-2</link>
		<comments>http://www.halfstepup.com/articles/all-about-the-symmetrical-augmented-scale-2#comments</comments>
		<pubDate>Wed, 27 May 2009 19:29:13 +0000</pubDate>
		<dc:creator>Edouard Brenneisen</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Songwriting & Composition]]></category>
		<category><![CDATA[augmented]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Improvising]]></category>
		<category><![CDATA[patterns]]></category>
		<category><![CDATA[Scales]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=227</guid>
		<description><![CDATA[Edouard Brenneisen is bringin' symmetrical back with a look at the Augmented Scale. If you're in to patterns and scales that don't resolve, you're in the right place...]]></description>
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		<title>John Abercrombie&#8217;s “John’s Waltz”: Transcritpion &amp; Analysis</title>
		<link>http://www.halfstepup.com/articles/%e2%80%9cjohn%e2%80%99s-waltz%e2%80%9d-transcritpion-and-analysis</link>
		<comments>http://www.halfstepup.com/articles/%e2%80%9cjohn%e2%80%99s-waltz%e2%80%9d-transcritpion-and-analysis#comments</comments>
		<pubDate>Fri, 17 Apr 2009 20:01:49 +0000</pubDate>
		<dc:creator>Edouard Brenneisen</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Transcriptions]]></category>
		<category><![CDATA[analysis]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[soloing]]></category>
		<category><![CDATA[solos]]></category>
		<category><![CDATA[transcription]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=218</guid>
		<description><![CDATA[Edouard Brenneisen hits the 'Step with it's first complete solo transcription, a composition called "John's Waltz" by John Abercrombie. Any guitarists seeking solos to dig in to, look no further.]]></description>
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		<title>Odd Time Signatures In Composition</title>
		<link>http://www.halfstepup.com/articles/odd-time-signatures-in-composition</link>
		<comments>http://www.halfstepup.com/articles/odd-time-signatures-in-composition#comments</comments>
		<pubDate>Wed, 01 Apr 2009 19:49:15 +0000</pubDate>
		<dc:creator>Edouard Brenneisen</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Jazz]]></category>
		<category><![CDATA[Songwriting & Composition]]></category>
		<category><![CDATA[fusion]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[odd]]></category>
		<category><![CDATA[Rhythm]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[time]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=205</guid>
		<description><![CDATA[Edouard Brenneisen takes you in to the world of Odd Time Signatures... a magical place where you're reminded that musicians actually do need to know something about math. Learn how odd time ideas can broaden your compositional toolbox... great insight for players of any instrument!]]></description>
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		<title>Effects&#8230; Where Do I Begin? (Hint: Right Here.)</title>
		<link>http://www.halfstepup.com/articles/effects-where-do-i-begin-hint-right-here</link>
		<comments>http://www.halfstepup.com/articles/effects-where-do-i-begin-hint-right-here#comments</comments>
		<pubDate>Wed, 01 Apr 2009 18:52:00 +0000</pubDate>
		<dc:creator>Ryan Gavan</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Gear & Equipment]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[pedals]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=203</guid>
		<description><![CDATA[Ryan Gavan gives the beginner guitarist a peek in to the world of guitar effects. If you've always wanted to explore the use of pedals and more experimental sounds in your playing, but don't know much about the subject, here's the place to start.]]></description>
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		<title>Intervallic Patterns &amp; Improvisation On Guitar, a.k.a. Guitaxohpon-ification</title>
		<link>http://www.halfstepup.com/articles/intervallic-patterns-improvisation-on-guitar</link>
		<comments>http://www.halfstepup.com/articles/intervallic-patterns-improvisation-on-guitar#comments</comments>
		<pubDate>Mon, 16 Mar 2009 21:08:38 +0000</pubDate>
		<dc:creator>Edouard Brenneisen</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[intervals]]></category>
		<category><![CDATA[saxophone]]></category>
		<category><![CDATA[Scales]]></category>

		<guid isPermaLink="false">http://www.halfstepup.com/?p=194</guid>
		<description><![CDATA[Edouard Brenneisen takes you guitar players into strange, saxphone-ish territory with an examination of intervallic patterns applied to scales. If you've ever wondered how saxophonists get so awesome, this is a must-read...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Practicing and Warming Up</title>
		<link>http://www.halfstepup.com/articles/practicing-and-warming-up</link>
		<comments>http://www.halfstepup.com/articles/practicing-and-warming-up#comments</comments>
		<pubDate>Thu, 24 Jul 2008 23:00:04 +0000</pubDate>
		<dc:creator>Ryan Gavan</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Musician's Health]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[practice]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://halfstepup.com/?p=60</guid>
		<description><![CDATA[Wondering how you can make the most of a practice session? Have a look at Ryan Gavan's article about his approach to warming up and to practicing guitar.]]></description>
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